Intergalactic signals introduce Here To Fall, a cross between a jazzy orchestral jam, a Cream-like melody (replete with "wah-wah" solo) and a thick syncopated rhythm. The Hoboken, New Jersey trio have been characteristically self-deprecating about the experience: Guitarist Ira Kaplan—who shares vocal duties with his wife, drummer Georgia Hubley, and the bassist, James McNew—remembers accidentally insulting the audience, who were none too taken with the band’s understated noise-pop. It was Yo La Tengo’s second album on the upstart label Matador, and second album with producer Roger Moutenot, who would go on to oversee all of the group’s following albums until 2013’s Fade. The album received very positive reviews from music critics. Yo La Tengo's Popular Songs (Matador, 2009) covers a lot of ground, as far as format goes, because Periodically Double Or Triple is a casual funk shuffle, while the mediocre By Two's represents the duo's trademark slocore art. ReJack101: Don't read this drivel. Yo La Tengo are the next in line for Matador's ongoing "Revisionist History" reissues. Now in a gatefold sleeve and cut from the original 58-minute master, the new reissue is pressed for the first time on two LPs t On “My Heart’s Reflection,” simmering with barely suppressed tension, Kaplan repurposes the central conceit of “I’ll Be Your Mirror” as he suggests, with disarming vulnerability, that he and a lover dress up as each other, locking the room and throwing away the key. For a long, long time there was no such thing as a bad or even a passable Yo La Tengo album - everything they touched was excellent. There’s even a thrill of danger in his voice as he blurts, “Let’s jump the ship/Let’s cut out.” Why not? In my humble opinion, though, Yo La Tengo saved the best of "Electr-O-Pura" for last in the form of the nine-minute "Blue Line Swinger," which has quickly become one of my favorite tunes of all time. Existing between two classics can be a difficult way to be, but overlooking Electr-o-pura is, flat out, a huge mistake. The album received very positive reviews from music critics. One of yo la tengos best LPs in my opinion, right after fakebook and painful. Back then, they were just moderately successful enough to lose to Pavement at ping-pong on the Lollapalooza tour, headlined by Hole and Sonic Youth. Continuing with their ever-expanding Revisionist History series, Matador Records announce a 25 th anniversary reissue of Yo La Tengo’s 1995 album Electr-o-pura.Now in a gatefold sleeve and cut from the original 58-minute master, the new reissue is pressed for the first time on two LPs to ensure the highest quality of audio the album has … Emboldened by all this familiarity, the band tore into their emerging signature style—woozy folk-pop ballads, feedback-streaked guitar jams, organ swells, plenty of ba-ba-bas—with shrugging audacity. Those are some pretty huge shoes to fill, but it didn’t stop them, and two years later, they returned with Electr-o-pura, the next step in their progress in becoming one of the greatest rock bands in the universe. Feature.fm Smart Link. James and Ira demonstrate mysticism and some confusion holds (Monday) 2. Few bands have consistently better ideas than Yo La Tengo, and they make 14 of them work like a charm on Electr-O-Pura. Johnny Cash’s American Recordings -era audiences may have been irritated, but after Electr-o-pura hit shelves, Yo La Tengo started covering Grand Funk Railroad’s “We’re an American Band” during encores. Electr-o-pura, currently being given a reboot of sorts by longtime label Matador, occupies a place in Yo La Tengo’s discography that was rarefied before and seems almost impossible now. Get the guaranteed best price on Alternative & Indie Vinyl like the Yo La Tengo - Electr-O-Pura at Musician's Friend. "Chock full with moments of pop gold like “Tom Courtenay,”melancholic ballads such as the heartbreaking “Pablo And Andrea,” and sweeping, … It took the Hoboken three-piece 13 bassists in seven years to find the perfect fit, but it speaks to the impact McNew had on the band that their first album with him as a full-time member, 1993’s Painful, is regarded as one of the band’s most unimpeachable albums to this day. “It was another way of writing about and to Georgia,” Kaplan has said. Now, newly reissued on vinyl, the pop-focused and densely referential album remains a monument in the band’s catalog. And that’s why Electr-o-pura shouldn’t be discounted or ignored as the awkward middle child: it was the training ground that gave Yo La Tengo the ability to make I Can Hear the Heart in the first place. Since 1992, the line-up has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). At the most superficial level, this beloved live-show staple is one of the band’s uptempo fuzz-pop songs, like Painful’s “From a Motel 6” or I Can Hear the Heart Beating as One’s “Sugarcube,” and probably their catchiest. Bless the crooked road that led James McNew into the loving embrace of Yo La Tengo. This was a private world for two. "Blue Line Swinger" is a frightening juggernaut of a song, starting slowly before building steadily into an epic freakout of earth-shaking proportions. It took the Hoboken three-piece 13 bassists in seven years to find the perfect fit, but it speaks to the impact McNew had on the band that their first album with him as a full-time member, 1993’s Painful, is regarded as one of the band’s most unimpeachable albums to this day. Most importantly, though, Kaplan himself didn’t actually know much about these old movies—Hubley, the daughter of two professional animators, was the film obsessive. The lessons from cult records could also be used to convey behind-closed-doors desires. Released in May 1995, about 11 years after the band formed, Electr-o-pura was their seventh album. Truly, it’s the best showcase of the individual strengths of each member, both unhinged and somehow equally restrained in the music they’re making, a magic trick played by one of the strongest power trios in all of indie rock. OLE-132 / 92550-2; CD). Electr-O-Pura is the seventh studio album by American indie rock band Yo La Tengo, originally released in May 1995 via Matador Records.. Yo La Tengo (often abbreviated as YLT) formed in New Jersey in 1984. After “Tom Courtenay” fades out, “False Ending” fades in, with a raucous clamor akin to the infamous “I buried Paul” section tacked on as the fake-out conclusion of “Strawberry Fields Forever.” A couple of tracks later, though, “Paul Is Dead” recalls not so much the Beatles as the subway strut of the Velvet Underground and the sunshine harmonies of the Beach Boys, while Kaplan deadpans about a guy who’s singing along to the Rolling Stones song blasting in his headphones (“Sympathy for the Devil,” judging by the “woo, woo!”). Both tell you a lot about who Yo La Tengo are, and where they were as the ’90s alt-rock boom fizzled. A year after Electr-o-pura, Yo La Tengo appeared, as the Velvet Underground, in the film I Shot Andy Warhol (they have self-deprecating stories about that, too). On their seventh studio album, Yo La Tengo further expanded on the depth of their songwriting and ventured further out into their explorations of contrasting textures, moods, and atmospherics. (By the way, those incongruous comments about the songs were lifted from an obscure book on the Blues Project, and don't trust those timings on the back cover -- … User reviews & ratings for the album Electr-O-Pura by Yo La Tengo. “Out of the darkness you will come around,” she assures, “and I’ll find you there.” The song is proof. Directed by Yo La Tengo’s then-roadie Phil Morrison, who went on to helm the breakout 2005 indie movie Junebug, the 1995 clip for “Tom Courtenay” imagines the band being asked to open for a fantastical reunion of the Beatles. The album takes a darker, heavier turn on the very Sonic Youth-like Flying Lesson, Kaplan seriously… In a very Yo La Tengo move, all the songs were picked in collaboration with Japanese visual artist Yoshitomo Nara to form part of a limited-edition catalog for his Los Angeles … Shipping to arrive around September 4, 2020. A similar tinge of downtown disquiet runs through the guitar workout of “Flying Lesson (Hot Chicken #1)” and the clanging, organ-blasted “False Alarm” . Between the Buried and Me: The Silent Circus, Bargain Bin Babylon: Earth, Wind & Fire: All ‘n All, Bargain Bin Babylon: Henry “Buzz” Glass: Square Dance Variations Volume I, Bargain Bin Babylon: Robert Cray: Strong Persuader, Bargain Bin Babylon: Lemon Jelly: Lost Horizons, Discography: David Bowie: Black Tie White Noise, Holy Hell! The reissue rightfully concentrates on the proper LP only, now pressed for the first time across two vinyl records. Music Reviews: Electr-O-Pura by Yo La Tengo released in 1995 via Matador. Go listen. On “False Alarm,” Kaplan refers to McNew by name and mentions the title of a song tucked away deeper on the album, “(Straight Down to the) Bitter End.” That one is Hubley-led fuzz-pop, a caustic character study that features the evocative line, “The stars that shine but don’t belong to you.” Yo La Tengo shone while walking among us. It’s a fitting closer for Electr-o-pura, which may not be perfect, but is still a remarkable snapshot of a band on the cusp of performing dozens more tricks just as dazzling, and somehow, even more effortless. “Everything’s gotta be rebooted these days,” Kaplan said from his and Hubley’s home in a recent retrospective, discussing a 25-year-old music video that enacts a similar juxtaposition. Johnny Cash’s American Recordings-era audiences may have been irritated, but after Electr-o-pura hit shelves, Yo La Tengo started covering Grand Funk Railroad’s “We’re an American Band” during encores. And it still sounds low-key monumental, like the work of a group that might share a bill at the Mercury Lounge with a reanimated Fab Four. No strangers to lengthy instrumental passages, here they stretch out for nine-plus drum-heavy minutes of whammy-bar mangling and organ rushes, as Hubley seems to address a lover gnawed by depression and self-doubt. Opened up to an audience, the couple’s shared secrets and inside jokes could signal not exclusivity, but personal connection, ultimately fostering a community of fellow fans. The opening “Decora,” where Hubley begins with a nonchalant murmur of, “I see you crawling across the floor,” picks up from the flickering dream-pop of Painful; the way that Hubley bends syllables and moans the title phrase on the chorus recalls My Bloody Valentine’s wavy “glide guitar” technique. Catch up every Saturday with 10 of our best-reviewed albums of the week. If they were experiencing any growing pains, it doesn’t show, even in half-formed jams like “Paul Is Dead” or the penultimate noise barrage “Attack on Love,” or even “False Ending,” which doesn’t even pass the minute mark. Pitchfork is the most trusted voice in music. If the pre-reboot High Fidelity, originally published the same year as Electr-o-pura’s release, exhibited toxic masculinity and the misbegotten belief that what you like matters more than what you are like, Yo La Tengo offer the possibility of a more coequal relationship between romantic partners—and one where what you like matters because you, generally, like each other. While the beverage museum that prompted the album’s title (Electropura was a brand of purified water) was eventually donated to Goodwill), Yo La Tengo have continued to put out several mostly strong albums, along with film scores and other instrumentals. …, A titanic work that runs just under 40 minutes and is frightening in its originality …, Chock full of attitude, fun and menace, Shygirl’s latest establishes a new, larger-than-li…, Supergroup shows the youngins how it’s done …, Criminally Overrated: 2001: A Space Odyssey. Get a low price and free shipping on thousands of items. On behalf of Beggars Group, Feature.fm sets cookies that can identify you as a visitor. Bless the crooked road that led James McNew into the loving embrace of Yo La Tengo. James gets up and watches mourning birds with Abraham (Wednesday) 4. Description provided by Wikipedia under Creative Commons Attribution CC-BY-SA 4.0 A musician packs up his drum machine and, gradually, his guitar, peeking out at empty seats, clock ticking. But there’s self-aware humor, too. The song and the video are each funny and heartfelt, referential and personal, grandiose and unassuming. But part of the Yo La Tengo experience, driven home in their free-wheeling concerts, is the notion that their songs are never finished. They’d learned from the best, and they knew that even though they might only be a triumvirate of hapless Richie Vans, they belonged on the same stages. But Electr-o-pura was also the second in a nearly impeccable four-album run that began with 1993’s noise-pop gauntlet Painful, peaked with 1997’s expansively intimate I Can Hear the Heart Beating as One, and then slipped away into the moonlit hush of 2000’s And Then Nothing Turned Itself Inside-Out. Yo La Tengo have detailed a 25th anniversary reissue of their seventh studio album, 1995’s Electr-O-Pura.Due out September 4th, the vinyl release is … On Electr-o-pura, Yo La Tengo were poised in between finding themselves and going their own way, and the end result is still exhilarating. See how this album was rated and reviewed by the users of AoTY.org. With 1995’s Electr-o-pura, Yo La Tengo hit their creative stride and remains one of the best albums the band has released in their long and productive career. Yo La Tengo’s inscrutable references and humor (purposefully, about half of the song times listed on the back cover are roughly accurate, while the other half are way off) and catalogue knowledge don’t interfere with what’s heartfelt. Rated #103 in the best albums of 1995, and #3319 of all-time album.. After the noisy but dream-like drift of Painful, Electr-O-Pura found Yo La Tengo in livelier and more outwardly enthusiastic form; while they had hardly abandoned their more subdued and contemplative side, as evidenced by the lovely "The Hour Grows Late" and "Pablo and Andrea," they seemed eager to once again explore the grittier textures they'd unearthed on President Yo La Tengo and May I Sing … The band knows this – in at least one interview, singer/guitarist Ira Kaplan insinuated that anyone who said that one of the band’s first four albums was their favorite was lying. And it was their second album with the official membership of McNew, who’d originally stepped in to stop a revolving door of temporary bassists on 1992’s inchoate May I Sing With Me. Dacus’ stark “Tom Courtenay” cover brings to mind Yo La Tengo’s acoustic, Hubley-led rendition from a 1995 B-side, which sounds like Camera Obscura and might be better than the album version. So it was a long time coming, maybe unthinkably long, given their modest popularity, in this era of streaming’s short-attention-span economies of scale. It all comes to a splendorous finale with “Blue Line Swinger,” a sublime climax that showcases the talents of the trio in one nearly 10-minute package. Electr-O-Pura is the seventh studio album by American indie rock band Yo La Tengo, released on May 2, 1995 by record label Matador. Georgia thinks it's probably okay (Tuesday) 3. If you’re willing to hear yet another version of “Auld Lang Syne,” Hark! Shadow of the Vampire Turns 20, From the Vaults of Streaming Hell: Death House, From the Vaults of Streaming Hell: Santa Jaws, From the Vaults of Streaming Hell: Stalked By My Doctor: The Return, From the Vaults of Streaming Hell: Deadcon, The Ministry for the Future: by Kim Stanley Robinson, The Irish Buddhist: by Alicia Turner, Laurence Cox, Brian Bocking. The quieter moments of the album don’t feel as nocturnal as they did before, but Kaplan-led numbers like “The Ballad of Red Buckets” and “The Hour Grows Late,” or classic Hubley tunes “Pablo and Andrea” and “Don’t Say a Word (Hot Chicken #2)” wouldn’t feel out of place when paired with the blue hour. Yo La Tengo We Have Amnesia Sometimes, released 17 July 2020 1. In the video looking back at “Tom Courtenay,” Kaplan, who is wearing a black band T-shirt, jokes about how he still dresses the same all these years later. The Moon & Antarctica Turns 20, Holy Hell! (Cuts out at 10:25 mark. 1995's 'Electr-O-Pura' nestled between two of their best albums in 'Painful' and 'I Can Hear The Heart Beating As One', and 'Electr-O-Pura' itself is no slouch either. Tally up 36 years under the belt of consummate music making (28 with the current lineup), Georgia Hubley, Ira Kaplan and James McNew outdo just about any contender on the axes of longevity, quality, and consistency. In 1995, the indie rock trio lurched headlong into its own sound with Electr-O-Pura. The rest of Electr-o-pura doesn’t always stick in your head as quickly, but it’s often as rewarding. "Blue Line Swinger" is a frightening juggernaut of a song, starting slowly before building steadily into an epic freakout of earth-shaking proportions. The best reason for being intensely protective about privacy is to enjoy it. The song on Electr-o-pura with the most quintessentially Yo La Tengo-esque story is the serene ballad “The Hour Grows Late.” A whispery Kaplan paints a scene not too distant from some that Yo La Tengo must’ve experienced in their earlier years. The second verse shifts dramatically toward the personal, as Kaplan describes a drunken first meeting that grows into something more, then recognizes the impossibility of ever fully understanding another human being, even those we know best. Released 2 May 1995 on Matador (catalog no. Wonderful album, wonderful pressing. Yo La Tengo wouldn’t crack the Billboard 200 album charts until the 2000s. Your email address will not be published. Electr-o-pura lives up to that standard, whether in alternate takes or subsequent re-recordings. On Electr-o-pura, Yo La Tengo were poised in between finding themselves and going their own way, and the end result is still exhilarating. is a worthy addit…, After 30 years in the game, Yo La Tengo shows that even recordings of them noodling aimles…, How do you follow up a classic? In between, the songs engage in a dialogue with other music that’s like an intimate conversation by other means. Sorry.) Yo La Tengo’s vision of a welcoming, everyday bohemianism has gone in and out of fashion, but it was never exactly trendy. Genre: Indie Rock. For this reissue—part of Matador’s Revisionist History series, which also includes Mary Timony’s Mountains, Pavement’s Wowee Zowee, and Guided By Voices’ Alien Lanes—Yo La Tengo labelmate Lucy Dacus reminisced fondly about discovering Electr-o-pura, with its CD packaging that intentionally messed up the track times (purportedly because reviewers kept singling out the longest songs on the band’s albums as the worst!). In the fall of 1994, Yo La Tengo spent three nights opening for Johnny Cash, then at the cusp of a resurgence with his Rick Rubin-produced American Recordings. In my humble opinion, though, Yo La Tengo saved the best of "Electr-O-Pura" for last in the form of the nine-minute "Blue Line Swinger," which has quickly become one of my favorite tunes of all time. (By the way, those incongruous comments about the songs were lifted from an obscure book on the Blues Project , and don't trust those timings on the back cover -- they're deliberately inaccurate.) Yo La Tengo wouldn’t crack the Billboard 200 album charts until the 2000s. by Elise Barbin (@elisecbarb)Imagine the platonic ideal of the art making practice and a vision of Yo La Tengo materializes swiftly. They could make not only the brooding songs like “Flying Lessons (Hot Chicken #1),” where the bass patience of McNew dances with the hushed voice of Kaplan, but could do so alongside songs like the guitar-heavy jam “Decora” (lead by drummer/singer/wife Georgia Hubley), the noisy, weird “False Alarm,” or the timeless “Tom Courtenay,” which may be the closest the band have come to writing the perfect rock song. The only area people could possibly complain about here is length - the last two records were rather tight at 11 tracks while this one is overlong at 14. Five Years Later: The Best Films of 2013!! Since 1992 the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). Yo La Tengo’s second EP in recent months finds them resuming their covers jukebox niche, weaving together selections as unlikely as a 1940s blues oddity and as recognizable as a Bob Dylan classic. Revisit: Yo La Tengo: And Then Nothing Turned Itself Inside-Out. It’s a slow burn that has become an indispensable staple of the band’s live shows, and though it has just two excellent, spaced-out verses delivered by Hubley, it does all of its best work outside of her voice. Not that that is a bad thing, but with each album Yo La tengo seems to be showing more restraint while remaining consistent as ever, a hard feat to accomplish. Yo La Tengo (often abbreviated as YLT, Spanish for "I Have It") is an American indie rock band formed in Hoboken, New Jersey in 1984. Yo La Tengo - ELECTR-O-PURA (25th Anniversary) - Matador - Double LP: £18.99. Fittingly, it’s the first Yo La Tengo album with all three members identified as co-songwriters. Electr-o-pura attracted the group’s normal glowing reviews, but it sold less than Painful. “It’s not the first time you’ll take a fall,” Hubley warns, memorably adding, “Act like you’ve never seen double before.” The closing “Blue Line Swinger,” also sung by Hubley, is one of Yo La Tengo’s very best songs. Unlike the albums immediately before and after it, Electr-o-pura doesn’t represent a gigantic leap, just a great band lurching headlong into its own. Genres: Indie Rock, Noise Pop. Electr-O-Pura is the seventh studio album by American indie rock band Yo La Tengo, released on May 2, 1995 by record label Matador. Five Years Later: The Best Music of 2013! The former is the first of two songs on the album, that pun simultaneously on Flying Burrito Brothers song titles and the prime culinary offering of Prince’s Hot Chicken Shack in Nashville, where Yo La Tengo were recording for the first time. Release Date: 4th September 2020 Continuing with their ever-expanding Revisionist History series, Matador Records announce a 25th anniversary reissue of Yo La Tengo’s 1995 album Electr-o-pura. In a Beautiful Place Out in the Country Turns 20, Interview: Peter Garrett from Midnight Oil, Interview: Joseph D’Agostino of Empty Country, Elvis Costello: The Complete Armed Forces, Resequence: Smashing Pumpkins: Mellon Collie and the Infinite Sadness, Resequence: Chance the Rapper: The Big Day, Rediscover: Lords of the New Church: Killer Lords, Rediscover: T2: It’ll All Work Out in Boomland, Holy Hell! On May 2, 1995, two events that would prove to be noteworthy parts of indie music history happened: Yo La Tengo released their album Electr-o-pura, … The 25th anniversary edition of the 1995 record from the iconic alternative-indie group Yo La Tengo.Packaged in a gatefold sleeve and cut from the original 58-minute master.

yo la tengo electropura review

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yo la tengo electropura review 2020