I can't find my post from last month, and so I thought I'd rewrite that post. I had few red labels go through the shop and find them a good value. 2 guitars is hardly a representative sample, but I preferred my own red label - it sounded fuller … You may login with either your assigned username or your e-mail address. by Rob Kirkwood » Thu Feb 21, 2019 12:22 pm. Is there any difference between the Yamaha FG-110 'Red Label' and FG-110 not red label? Wow, Frank thanks for that link! I wanted this guitar because one of my favorite artists used to play a '67 just like it (Paul Brady). Other red label-era Yamaha models are well-thought-of by some folks. I'd say, if it is one of those models in good shape, maybe $300 give or take. I did some research on the Nippon Gakki instruments and learned that they are highly respected and very affordable. The tone of Paul Brady's guitar has always attracted me, so on a whim I decided to send him an e-mail and ask for his thoughts on the FG. The so called lawsuit takamines weren't too bad either. Watch this one and see what happens: Back in the early '70s in Louisville, I played lots of long solo nights. The Yamaha Red Label FG3 harkens back to those sought-after instruments but is tweaked for modern performance. 2 guitars is hardly a representative sample, but I preferred my own red label - it sounded fuller … Yamaha’s new FG/FS Red Label lineup visually evokes those early red-label FG Yamaha steel-strings. 0.o Has anyone ever seen that beast or is it a figment of my memory? The All-New Behringer Keyboards 'n' Stuff Thread. Prices should be between $100 and $300 depending on model. He also noted that he bought a later model FG-180 with a red label and that it did not sound nearly as good as his older FG. Yamaha’s Red Label guitars were introduced to America in 1968, but the line itself goes back to October 1966. Just thought I'd pass this along. I should have stayed in and won the thing, but I was out of town when the bidding was concluded and had set my max bid too low. All rights reserved. For all things relating to guitars, basses, amps, pedals & accessories. As a working and not wealthy musician, I was doing good to afford my D-28, but no way could I afford a second Martin for backup. One of the dumbest things I've ever done was part with my FG-180. Here's a website that gives the sequence of Yamaha acoustic guitar label colours : Correcting mistakes on the internet since 1853. It helped me get into playing more acoustic. 1966 Martin D-35, 2001 Martin D-28, 2016 MFG custom D-18 Adirondack top, Gibson J-40)     Isaiah 41:10. I was happy to hear that he remains enamored with his Yamaha. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Yamaha FG’s have gone thru many changes since their introduction in 1966. What is a "hybrid" audio interface anyway? First Look: Pro Tools | Carbon. However, I do own a 'red label' Yamaha FG-180, which I bought used in about 1972 for £35, & I've also subsequently played a more recent cream label FG-180. An Unofficial forum for those who love Martin instruments - Founded by Steve Stallings. Back then I played hard enough and long enough to bust strings during a gig, and so need a backup, so I got my first FG-180 Yamaha. https://yamahaguitars.nl/facts-figures/fg-labels/. But the modern incarnations add up-to-date features like a new scalloped bracing pattern, Yamaha’s “Atmosfeel” pickup and preamp system, and tonewoods “aged” through the company’s pressure-, humidity-, and temperature-treating process. it needs a neck reset, which is not worth doing and I've seen pretty many with this problem, the Japan ones are a little more valuable, I've seen them sell at $400. However, I do own a 'red label' Yamaha FG-180, which I bought used in about 1972 for £35, & I've also subsequently played a more recent cream label FG-180. Mastering Essentials Part 3 - How loud should I master. If you get one with a Gold Label Mr Wonka gives you the factory if you don't eat the Snozberries. Web site designed & maintained by PB Associates & SOS. Well made guitars. I can't find my post from last month, and so I thought I'd rewrite that post. On Ebay last week, I bid on (and unfortunately lost) a 1967 FG-180 red label. This 1970 FG-110 , made in the Nippon Gakki factory in Japan a few ... Yamaha FG-110 Red Label (Greece) $300 - JLA FORUMS Sounds like you may have found one of the luck few 45 year old red label Yamaha's that still doesn't need a neck reset. The views expressed are those of the contributors and not necessarily those of the publishers. The label colors are Country; Red-Japan, Black and gold Japan one year, China others, The Leather lables mean handmade but can be from Tiawan, Japan..... Kinda confusing but fun. He stills owns and plays it regularly, though he now plays Lowdens during performances and recording. There's an interesting thread over at the AGF right now with a Yamaha guitars timeline. Golden Nehru Jacket Award, Friends of The Gopher Society, http://cgi.ebay.com/71-Ya...ZWDVWQQrdZ1QQcmdZViewItem, http://www.acousticguitar...s/showthread.php?t=145187. I've had 2 Red Label FG180s and 4 Gold label ones ('70s period). I had a red label FG-180 30 years ago, based [as Dave notes] on its "poor-man's Martin" reputation. My sons learned on a [~ $100] red label … Some are obvious, some are not. They can be great guitars, most are quite good and to me the very best choice for travel guitar. I had a red label FG-180 30 years ago, based [as Dave notes] on its "poor-man's Martin" reputation. Those are pretty darn rare; few and far between. He is looking to get rid of it and I have heard good things about these in the past. Inspired by Yamaha’s iconic “red label” guitars of the 1960s, new FG Red Label folk guitars blend modern inspiration with a timeless design. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The Yamaha Red Label FG-180 is the only one that I know of that is particularly sought after. It may not be obvious that there were subtle changes made between about 6 months and nearly 3 years after the Red label FG’s became available in the beginning of 1967. by carlspares » Sat Oct 26, 2019 11:03 pm. If that's not a selling point for one of these guitars, I don't know what is! So when I researched what that involves on these old red labels, I learned they're notorious for having epoxied neck joints that are impossible to steam apart. FOR SALE - Rochester, NY - The Yamaha FG series has a long history and a loyal following. It was in very good condition. They were so popular because they were affordable and widely available, and because they sounded and played great. The production table posted on the acoustic guitar forum indicates that the red label guitars were introduced in 1969. wood torrefication process. It helped me get into playing more acoustic. You'll also enjoy a louder, more balanced tone, by virtue of updated scalloped bracing. The one I bid on sold for only $290. Re: One Synth Challenge V - The Filter Strikes Back! Experience maximum resonance and tone, thanks to solid tonewoods that have been enhanced via Yamaha’s A.R.E. Re: Capstan Dirty after almost every playback - Tascam ... One Synth Challenge V - The Filter Strikes Back! The pick guard is disintegrating but that doesn´t affect the sound. Sounds like you may have found one of the luck few 45 year old red label Yamaha's that still doesn't need a neck reset. An old friend has a Yamaha Red label guitar that was owned by his grandfather. I know in the old days a lot of bluegrassers that could afford a second Martin used them as their backup guitar. I'm not sure of the model numbers but have played a couple that were pretty good for sure. I figured it was good enough for New Grass Revival's guitarist, Curtis Birch, so it'd work for me. What should I look for and how much are these worth? Can't answer your question specifically, because I'd never heard of a Yamaha FG-110 until now! Anyway, I would buy the guitar in a heartbeat. Any other models aren't worth that much from what I've noticed. There isn´t much more adjusting for the neck, but the action is good enough for comfortable playing. In re-reading his e-mail, I realized that he had noted that his guitar does not have a red label, but a "yellowish one". Yamaha FG-30 LTD Red label. I more than likely am wrong, but I have a vague memory that at one point maybe in the sixties, the FG-180 had a solid top. So when I researched what that involves on these old red labels, I learned they're notorious for having epoxied neck joints that are impossible to steam apart. Not all of them have been kind. This guitar is 50 years old. The new owner will likely remove it. Originally Posted by Yamaha Junkie . Re: The All-New Behringer Keyboards 'n' Stuff Thread. 2 Replies 1432 Views Last post by carlspares Sat Oct 26, 2019 11:14 pm; ... Yamaha SY77 Forum - Covers the Sy77 Keyboard and TG77 Module; Yamaha SY99 Forum; Yamaha SY85 Forum - … I will find a late 60's FG-180 one day. Let us know the model of the one your friend has and where made. He graciously gave me all the details of his guitar, including its purchase price, where and when he bought it and how it has faired over the years. it was said back in the '70s but I never saw one and haven't still, there were Yams that were solid from then but carried a 700 series red label (I think), played one about 3 years ago in a pawn shop, wanted $1200 for it as I remember, was good but not that good, certainly did look great however, Kerry, This website uses cookies for functionality, analytics and advertising purposes as described in our, Queen Annes Revenge, loyal sea dog, grog. The guitar that belongs to Paul Brady is from 1967. 1968-71 Yamaha Red Label F300. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. This is an improvisation on a Yamaha FS5 Red Label acoustic guitar.It is made in Japan. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. These were well-constructed, great-sounding guitars from Japan that were made in the classic tradition of steel-string, flat-top guitar design and tone, with their own innovative tweaks. I didn't really expect a reply, but this morning I was delighted to find one when I checked my e-mail. Capstan Dirty after almost every playback - Tascam TSR-... 30-day modular deep dive/writing challenge. Those are pretty darn rare; few and far between. The voice, however, has aged wonderfully. Fretwear is a minor concern but make sure the truss rod works, I've seen ones where it's been stripped or broken, probably because someone tried to fix what needed an neck reset by tightening. The FG 140,160,180, 200 are the same guitar with minor cosmetics, the FG 150 is smaller and won't bring as much on a sale. It was a truly great guitar. Through the ’70s, the mod…

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